Wednesday 29 August 2012

OTR DVD & Blu Ray Cover




On The Road will be out on DVD & Blu Ray in France October 17th, 2012.


Tuesday 28 August 2012

New Interview w/ Bill Condon about BD2

MTV News: How are you feeling? What stage of the post-production process are you in?
Bill Condon: We're at the stage of mixing and doing color timing and adding that last big bunch of visual effects shots, and that's where it gets complicated because the [most challenging] ones always come in last, so it's just making sure that they look as good as they can, that's the big thing right now.

MTV: Is there one specific FX shot that you're particularly pleased with?
Condon: Oh man, there are so many that are so beautiful. I love the way, it's very creepy, but I love the way that Alec's mist looks. He has that mist that can make you blind, deaf and dumb, so that's looking really good. It feels like the best Hammer [horror] movie you've ever seen. It's a little different [type of mist] and sort of has tentacles that can get inside you and all that stuff.

MTV: I'm so excited to see all the powers! I spoke with Mackenzie Foyrecently, the most adorable person the planet, and she talked about how she had fun filming her "power scenes."
Condon: I know, she's adorable, right? Her power, she touches somebody and she can show them what's in her head and that you develop. There are some visual things, but a lot of that is done through Carter Burwell's score, but then just recently in the mixing Dane Davis, who is a brilliant sound designer, he did "The Matrix" and so many other movies, he had her just speak and read poetry and things like that, and he's turned it into hundreds of tracks. You don't actually hear words but it becomes the chattering of her [voice], it's a very abstract effect that I've never heard before. It's really cool.

MTV: In the last stages of mixing and production, is there something that during filming you liked but have come to love in seeing onscreen?
Condon: There's a lot of that. I would say the whole climax, I feel like it's the biggest musical number I've ever directed. It does feel, when you finally get the rhythm of that right, it makes it, I hope, very satisfying.

MTV: What was the biggest, busiest most fun day on set?
Condon: The biggest and most fun, just because of the surprise they pulled off, we went to the top, top, top as far as you can get in this arena to get the widest shot of the [battle]field with the Volturi on one side and the Cullen group on the other and on the last take suddenly you hear the Eurythmics and they all start to do this intimately choreographed dance that they'd worked out. It was a huge day and the biggest party ever.

MTV: Well we can only hope that that ends up on the DVD.  
Condon: I think it is, yeah.

MTV: Have you made any more decisions about the soundtrack? You have so many musicians in that cast.
Condon: Oh yeah, that's interesting. I don't know if I'm allowed to talk about it yet but we've just now finally firmed it up so that's exciting.

MTV: How about the running time? Is that official yet?
Condon: Yeah. The running time is one hour and 56 minutes, one minute shorter than the first one and as such, I think the shortest of all of them.

MTV: We talked about the biggest and busiest day, what about the most quiet, emotional moment?
Condon: There are a lot of those, I would say. ... I don't want to talk about one scene because that's a surprise but you know what, the scene when Charlie meets vampire Bella for the first time and then meets Renesmee. This is a movie that really only has one fully human person, if you treat Taylor [Lautner] as a magical creature, so Charlie is our way into this whole thing. If Charlie can believe it and understand, I think the rest of the audience can too. Of course, Billy Burke is such an incredible actor who can really humanize any moment, so watching him and Kristen together in that scene, I remember everything was a total pleasure in that.

MTV: It's a little ways off yet, but have you planned a vacation?
Condon: [Laughs] My idea of a beach holiday is going to New York for two weeks, just going and hanging out. I think I'll do something like that.

MTV: What advice do you have for the fans on how to pass the time before the movie comes out?
Condon: Oh that's an interesting question. There's a slight surprise with the score. [They should] listen to all the old CD's of all the composers [of the other "Twilight" films], maybe that, refresh themselves on the different themes.

New BD Part 2 Stills

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Friday 24 August 2012

'BD Part 2' Cullens Poster from Comic Con now in UHQ


Source | Via

Cosmopolis Reviews

Here are a few reviews for Cosmopolis:

http://www.showbiz.de/wp-content/uploads/2012/05/Cosmopolis-Poster.jpg
washingtonpost
[...]Cronenberg does have a gift for creating a certain atmosphere. The feeling here is a curious blend of pleasant absurdity and disconcerting unpredictability. Despite the thick dialogue, there’s something compelling about the whole endeavor, because it feels like anything might happen. [...] 2/5 stars


zimbio
[...] Cosmopolis is a fatalistic nightmare, a character study of abstraction, but Pattinson is so compelling, and the language so impressive, it's impossible to deny there's something worthwhile happening onscreen. A lengthy talk between Packer and Benno Levin (Paul Giamatti), a former employee, in Benno's ramshackle apartment, feels more like a two-man play than anything else. It's disjointed from the rest of the film, but important because it takes Packer out of his isolated element. He's suddenly a part of the real world and very vulnerable. He wouldn't have it any other way.

 azcentral
[...] "Cosmopolis" is frustrating, funny, thought-provoking, weird, maddening, worthwhile. It isn't a great movie. Sometimes it's not a good one. Sometimes it is. Ultimately, it is one worth working through, a valuable exercise if you're willing to make the effort. [...]

mdjonline
[...] All of the criticisms you may have heard or held about Pattinson’s performances as the vampire Edward in the “Twilight” films only serve to underline that he is perfectly cast as Packer. [...]
I said “Cosmopolis” is flawlessly directed. Yes, it is. I can’t easily imagine a better screen version of the DeLillo novel, although I don’t much want to imagine one at all. David Cronenberg is a master filmmaker, whose films sometimes fail to reverberate with me, but whose genius cannot be denied. There is a coldness and abstraction in much of his work, a heartlessness. He touched me deeply in films like “Eastern Promises,” “The Fly,” “The Dead Zone,” and even the pain-soaked “Crash.” Then there are films like this. Can one say Don DeLillo found not only the ideal but perhaps the only director for his novel?
I won't lie. This is not top-notch Cronenberg, in my view, but what's the adage about pizza or sex or ice cream? This one is still worth your time. There ain't much of a narrative here, but the words can be pretty hypnotic, and there's a perverse novelty in seeing Robert Pattinson jump headfirst into such an anti-commercial mood piece. Let me know when you see it, so you can explain to me what it's really about.

[...] I'll confess that a great deal of the limo-bound movie conversation went over my head - Packer stops to admit passengers who give him advice on data analysis, philosophy, art, spirituality, markets, etc. It's dialogue that works on the page of a novel, wherein you can rescan. It flies by on screen, leaving you reaching for Cliff's notes.
Still, trenchant observations peep through. Like the idea that the modern leveraged buyout capitalist and anarchist have something important in common - the self-flattering belief that the urge to destroy is a creative one.

 startribune
[...] The film is all too faithful to its un-cinematic source. The dialogue, transcribed from DeLillo's pages, is flat, cerebral robot-speak. Ponderous arias on the themes of love, death, power, technology and inequality slow the film to a snail's pace like the limousine. Pattinson, modern cinema's premier vampire, is aptly cast as a bloodless tycoon. At times he even copies Dracula, lying full-length in his rolling, leather-lined sarcophagus. The film makes repeated references to abstract art -- the opening credits feature Pollock-like action painting dribbles -- but its anti-realist approach turns tiresome long before the journey is done.

NEW picture from florabotanica


Thursday 23 August 2012

HQ videos Rob on Jimmy Kimmel

Here are the HQ videos of Rob on Jimmy Kimmel!


There you go, enjoy!

Robert Pattinson On Jimmy Kimmel

Wednesday 22nd of August Rob attended Jimmy Kimmel. At arrival and when he left he signed for the fans.


HQ pics
thanks to RobertPattinsonLife

Signing for fans

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An "OKAY" opening for Cosmopolis

For a Movie only opening in a small amount of theatres, The Cronenberg film had a pretty good opening. With a $94.437 opening in this weekend only. Cosmopolis doesn't have ground breaking numbers, but it is a opening weekend to be proud of.

Promo for cosmopolis is still on the roll. And we are already excited to see what kind of numbers will turn out after a full week. Maybe buying 8 tickets each will bring up some numbers ;)

Tuesday 21 August 2012

Rob on Jimmy Kimmel (Infos & Streaming)

Tomorrow (Wednesday, August 22th), Rob will be on Jimmy Kimmel Live. Here are everything you need to know:


Streams:  #1

Time:    

  •  11:59 PM ET (NYC)
  •  8:59 PM PT (LA)
  • 4:59 AM BST (London) (Thursday moring)
  • 5:59 AM CET (Berlin) (Thursday moring)
  • for antoher time just use timezone converter

List of theaters showing Cosmopolis

Now it'a our time to support Rob and his newest film Cosmopolis. Here's a list of theaters showing the movie:

08/17/2012 Elinor Bunin Monroe Film Center, New York, NY
08/17/2012 Sunshine Cinema 5, New York, NY
08/17/2012 The Landmark 12, West Los Angeles, CA

08/24/2012 Kendall Square Cinema 9, Cambridge, MA
08/24/2012 Criterion Cinemas 7, New Haven, CT
08/24/2012 Palace 17 & Odyssey, Hartford, CT
08/24/2012 Ritz at the Bourse, Philadelphia, PA
08/24/2012 E Street Cinema, Washington, DC
08/24/2012 Landmark's Century Centre Cinema, Chicago, IL
08/24/2012 Cedar Lee Theatres, Cleveland Heights, OH
08/24/2012 Lagoon Cinema, Minneapolis, MN
08/24/2012 Sandy Springs 8, Atlanta, GA
08/24/2012 Ballantyne Village 5, Charlotte, NC
08/24/2012 Alamo Drafthouse South Lamar, Austin, TX
08/24/2012 Arbor Cinemas at Great Hills 8, Austin, TX
08/24/2012 South Beach 18, Miami Beach, FL
08/24/2012 Sunset Place 24, Theatres South Miami, FL
08/24/2012 Gateway 4, Fort Lauderdale, FL
08/24/2012 Delray Beach 18, Delray Beach, FL
08/24/2012 Shadowood 16, Boca Raton, FL
08/24/2012 Winter Park Village 20, Winter Park, FL
08/24/2012 Denver Film Center/Colfax, Denver, CO
08/24/2012 Los Feliz 3, Los Angeles, CA
08/24/2012 Art Theatre, Long Beach, CA
08/24/2012 Playhouse 7, Cinemas Pasadena, CA
08/24/2012 University Town Center 6, Cinemas Irvine, CA
08/24/2012 Rancho Niguel 8, Cinemas Laguna Niguel, CA
08/24/2012 Cinemas Palme D'Or 7, Palm Desert, CA
08/24/2012 Hillcrest Cinemas, San Diego, CA
08/24/2012 Paseo Nuevo, Santa Barbara, CA
08/24/2012 Shea 14 Theatre, Scottsdale, AZ
08/24/2012 Tempe Marketplace 16, Tempe, AZ
08/24/2012 Fox Tower 10, Portland, OR
08/24/2012 Meridian 16, Seattle, WA
08/24/2012 Varsity Theatre, Seattle, WA
08/24/2012 Lincoln Square Stadium 16, Bellevue, WA
08/24/2012 Embarcadero Center Cinema 5, San Francisco, CA
08/24/2012 Camera 7, Campbell, CA
08/24/2012 Shattuck Cinemas 10, Berkeley, CA
08/24/2012 Rialto Cinemas 9, Sebastopol, CA

Via

New/Old Rob Portraits From Comic Con UHQ

UHQ

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MQ

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Via